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Chapbook Collections



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Sentences is Joseph Hutchison’s eighth chapbook collection. The cover illustration is by California artist John C. Ransom.

Title: Sentences
ISBN: 1-58998-190-1
Publication Date:
2003
Length: 21 pages
Binding: Saddlestitched

From the book:

BLUES

On the swaying black
branches of the sea, whale songs
bloom: blue, then bluer....

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Greatest Hits, 1970-2000 is Joseph Hutchison’s seventh chapbook collection.

Title: Greatest Hits, 1970-2000
Publication Date: 2003
Length: 16 pages
Binding: Saddlestitched

From the book:

WALKING OFF A NIGHT OF DRINKING IN EARLY SPRING

for Joe Nigg

Through the budding elm branches, eyes
of traffic lights blink red to green;
the idled traffic surges forward in the dark—

and we stagger on down the alley, joyful,
voices loud and cloudy in the cold.
Where do these hours come from? Hours

when old wounds flare, and the night
opens, and pain boils up into conversation,
as if talk can heal. The sweating bottle

drifts hand to hand, mouth to mouth—
and stars blink through branching clouds,
the blood groping darkly in our heads;

but the moon’s here, too. A bright clarity
over cars and streetlamps, over houses
and leaving trees: going with us.

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The Heart Inside the Heart is Joseph Hutchison’s sixth chapbook collection. It was illustrated and designed by California artist John C. Ransom.

Title: The Heart Inside the Heart
ISBN: 0-933573-19-7
Publication Date: 1999
Length: 32 pages
Binding: Saddlestitched

From the book:

SEDUCTION

The mind has a way
of wandering
most when you least
expect it. There it goes,

off the edge, avoiding this
obvious line your eye
dutifully follows—
to what end? To wherever

past each forest a bridge
reaches, then a wall, walls
and roofs. So before you
know it the mind is

lost in the world, and we
are alone in this dark
room together: nothing
but breathing between us.

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Sweet Nothing Noise is Joseph Hutchison’s fifth chapbook collection.

Title: Sweet Nothing Noise
ISBN: 0-933573-15-4
Publication Date: 1991
Length: 32 pages
Binding: Saddlestitched

From the book:

WESTWARD FLIGHT

Aloft over pinestubbled mountains,
threads of road and river-ribbons,
groves like smudges of sexual hair.
The sky is blue as a gas-flame’s heart,

and a cloud shadow floods the battered
land, makes a lake he half wants to enter.
Diving from such a height—how sweet.
The shallowest grave is healingly deep.

Or is death no cure—only a love-wound
endlessly staring in the cold ground?
He shuts his eyes to think I’m here,
still here. Aloft, in light; alive, in fear.

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Wandering Music is Joseph Hutchison’s fourth chapbook collection. It was published together with David Steingass's collection Ratter.

Title: Wandering Music
Publication Date: 1990
Length: 44 pages
Binding: Saddlestitched

From the book:

WILLOW

When we cut down the willow, I heard
the frail shudder of roots in the ground,
stretching wildly for water, for more life.
In silence I listened, in wonder, filled
with thirst and a burning recognition.

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Thirst is Joseph Hutchison’s third chapbook collection.

Title: Thirst
Publication Date: 1984
Length: 16 pages
Binding: Saddlestitched

From the book:

THE CROSSWALK

It’s a lightpole at a city crosswalk. Over the grit, someone has scrawled with a black magic marker: JESUS, SAVE MY SOUL. Traffic like cold wind. You lean into it, the way you lean a while later into the chilly fluorescence at your desk. That beetle glimpsed as it vanished into a sidewalk crack — with a start, you realize it lives there. A tremor takes your hand like cicadas grinding up time in the willows. Weren’t there days when horizons, at dawn or at dusk, shone like a Bible’s gilt edge? Then where did these nights come from? Nights you dream of nothing but the crosswalk down-town: how the signal keeps changing — WALK, DON’T WALK — though no one is there to cross and the street itself is empty.

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Shadow-Light is Joseph Hutchison’s second chapbook collection. The manuscript was selected by Arizona poet Richard Shelton and designed by artist Judy Anderson. Under Judy's direction, the book was printed using hot lead type on paper made by hand from shredded blue jeans. The book was hand stitched, "bound" in a thick clear plastic sleeve, and presented by then-Governor Roy Romer to winners of the 1982 Colorado Governor's Award for Exellence in the Arts. Shadow-Light has never been commercially available.

Weathers, Vistas, Houses, Dust is Joseph Hutchison’s first chapbook collection.

Title: Weathers, Vistas, Houses, Dust
Publication Date: 1980
Length: 16 pages
Binding: Saddlestitched

From the book:

HOMING

for my mother

I believe I remember my first
house, deep in your body, alive
with music. White music breaking
ion waves on the cliffs of couches,
foam hands caressing a shore of
blue carpet. Adrift in a boat
made of listening, my sleep
was whole as milk in an udder.

But a doctor divided us, beached
me (deaf) in a body, far inland.

I’ve needed 20 years to relearn
your intricate fugue, to believe
in the ancient turntable wheeling
in its secret room. Mother, your
spirit’s needle quivers in its
spiral groove, like moonlight
threading the troughs of waves.
Yet I know that your bright tide
is a maelstrom too, devouring
your body’s walls. At first, it
frightened me, loud as the angry
knock Beethoven heard. But now,
the longer I listen, I find
the music growing more lovely,
more clear, as it homes on
into its silent center.

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